It’s much thicker and more intensively applied; so much so that he appears to be modelling the skin in three dimensions. In this portrait some see weariness and resignation in his dark, rheumy eyes, some a trace of self satisfaction, others the hint of a wry, knowing smile. From The National Gallery, London, Rembrandt van Rijn, Self Portrait at the Age of 63 (1669), Oil on canvas, 86 × 70.5 cm Here his intentions are not so clear. He began by making an oil sketch on paper, then tore out a section and mounted the rest on canvas. This man is wearing the habit of an order of monks founded to follow the teachings of Saint Francis of Assisi. Sometimes he may have had an eye to the market, or even worked to a commission. Sign up to our emails for updates. A similar self-portrait from 1669 in the Mauritshuis, Another self-portrait of 1669, in Florence. Rembrandt painted his own portrait frequently, from his amazing 1629 work The Artist in … We see the artist in confident pose – self-assured, dressed in expensive-looking fur and velvet, his hat laced with jewels. Self Portrait in at the Age of 63 quantity. It was bought by the National Gallery, London in 1851. Here, she is 23 years old; they have been married for a year. She looks down on us from a slight height, her right hand resting on what must be part of the arm of a chair, but which has the air of a sceptre. The blemishes on his forehead are formed of blotches of coagulated paint. Album: Rembrandt Harmenszoon Van Rijn, #30/365. At one time about ninety paintings were counted as Rembrandt self-portraits, but it is now known that he had his students copy his own self-portraits as part of their training. He cont... A woman weeps on the steps of a shadowy temple, while members of the Jewish ruling council gather round. Self-Portrait at the Age of 63 is a self-portrait by the Dutch artist Rembrandt. He had been in charge of the company’s fleet, which had sailed home from the East Indies in December 1633 and was to leave Holland again on 2 May 1635, shortly after this pi... Saskia van Uylenburgh, the daughter of a burgomaster of Leeuwarden in Friesland, was Rembrandt’s first wife. Indeed, it seems as though he has turned a spotlight on his features. Subject: . The painting was investigated by the scientists of the National Gallery in London. Rembrandt, Self-Portrait at the Age of 63, The Rembrandt Database, Object information, Bust of a Man Wearing a Gorget and Plumed Beret, Diana Bathing with her Nymphs with Actaeon and Callisto, Pendant portraits of Maerten Soolmans and Oopjen Coppit, The Archangel Raphael Leaving Tobias' Family, Ahasuerus and Haman at the Feast of Esther, Self-Portrait Wearing a White Feathered Bonnet, Self-Portrait in a Black Beret and Gold Chain, Self-Portrait with Beret and Turned-Up Collar, https://en.wikipedia.org/w/index.php?title=Self-Portrait_at_the_Age_of_63&oldid=1006020896, Collections of the National Gallery, London, Wikipedia articles with RKDID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 February 2021, at 16:39. It was inherited by his nephew Alan Brodrick, 2nd Viscount Midleton, and remained at Peper Harow until auctioned by George Brodrick, 5th Viscount Midleton, in 1851, when it was bought for £430 10s by the National Gallery. Found in the collection of the National Gallery, London. He uses layers too: like skin, oil paint is semi-transparent, so Rembrandt builds up translucent layers and colours – the greys and whites, pinks, purples and pasty yellows which he sees in his own face. Rembrandt painted large-scale likenesses of each, which were originally designed to hang together. The pigment analysis revealed a limited palette consisting of red and yellow ochre, carmine and madder lake, and lead white. Rembrandt is 63 and this is one of three self portraits he painted in the months before his death in 1669. about rembrandt's art; history painting I; history painting II; self portraits; landscapes and animals; family members; genre and allegories; life. How you can use this image. We not only reproduce every detail of the original painting, but to capture its soul. But in the seventeenth century people had different ideas about self-analysis and how the mind works than we do now. Rembrandt van Rijn is known as one of the greatest painters and etchers of the Dutch Golden Age. Dating to 1669, it was the last in his long series of self-portraits, and painted in the year of his death. The Artist — Rembrandt van Rijn. Medium: Oil on canvas. Rembrandt’s motives may have been more straightforward – driven less by soul-searching, and more by a professional fascination with the challenges of his art. Acquisition credit:Bought, 1851 This work was painted in the final year of Rembrandt's life and is one of his last pictures. In his great dramatic painting, Rembrandt tells a story from the Old Testament (Daniel 5: 1–5, 25–8). His pose, eyes cast down and apparently lost in thought, reflects the Franciscan way of life – one of simplicity and prayer. Dating to 1669, it was the last in his long series of self-portraits, and painted in the year of his death. One of three dating to 1669, it was one of the last in his series of around 80 self-portraits, painted in the months before his death in October 1669. This is one of dozens of self portraits by Rembrandt. They said to him: ‘Teacher, this woman has been caught in the act of adultery. At the time some wealthy patrons collected self portraits by artists. The beam bounces off his high forehead and the tip of his nose; it catches on his mottled, pitted brow and the tufts of hair around his lips. You are looking into the eyes of a man in the last year of his life. Self Portrait at the Age of 63 | Art UK This work was painted in the final year of Rembrandts life and is one of his last pictures. He painted them for different reasons – to practise different expressions, to experiment with lighting effects, and also to sell to wealthy patrons and collectors. Rembrandt, Self-Portrait at the Age of 63 shows the painter in the last year of his life as an old man but still fully confident and self-assured. The sitter – whom Rembrandt did not name – has an almost regal poise. This genre, popular at the time, depicted personality types.It is signed Rembrandt halfway up on the right-hand side; scientific analysis suggests that i... A burst of brilliant light shines on the newborn Christ, who is watched over by Mary, Joseph and a gathering of worshippers and onlookers. Free Shipping. His father had robbed the Temple of Jerusalem of all its sacred vessels. The image file is 800 pixels on the longest side. The sagging fold beneath his right eye is made with the swirl of a heavily-loaded brush. The dark picture is devoid of unnecessary details, but the saint’s traditional attributes are just about visible: an open book sits on the tab... A cold, grey light creeps through an open window into a room that is itself very old – no glass in the window, a heavy wooden shutter, an open fire with an earthenware pot beside it. When he painted himself, he could study his reflection for as long as he liked – and with an intensity which might have been disconcerting for some of his clients, many of whom were the same age as him. We are temporarily closed. One figure stares directly at us, a look of apparently benign amusement on his face as he holds his hand close to his chest. Date: 1669. But, though he is a Dutchman living in the 1640s, Rembrandt is wearing the clothes of a gentleman of the 1520s and his... Christ’s body has just been taken down from the Cross, and his family and followers mourn over him – a moment known as The Lamentation. The rider has been identified as the prosperous businessman Frederik Rihel. But, if we want to understand why Rembrandt made the painting we need to be careful. 100% hand-painted oil painting reproduction on canvas of Rembrandt van Rijn's painting, Self Portrait at the Age of 63. It wasn’t only light effects that he used to emphasise his face. The sagging fold beneath his right eye is made with the swirl of a heavily loaded brush. 86 x 70.5 cm. Afraid of Christ’s popular preaching, they planned to trick him into transgressing the Jewish law. Others – such as the one he painted aged 34 – were apparently intended to enhance his image as an artist. This is a non-profits site and shows all the paintings of Albert Bierstadt's art works. Albert Bierstadt Online, Self-Portrait at the Age of 63,1669, Oil Paintings Only For Art Lovers! Self Portrait in at the Age of 63, 1669 by Rembrandt van Rijn canvas art arrives ready to hang, with hanging accessories included and no additional framing required. When this portrait was made, Philips Lucasz. One of three dating to 1669, it was one of the last in his series of around 80 self-portraits, painted in the months before his death in October 1669. The last three etchings date to 1648, c. 1651, and 1658, whereas he was still painting portraits in 1669, the year he died at the age of 63. Self Portrait at the Age of 63. But he changed his mind, apparently to avoid distracting the viewer from the detail of his face. Self-Portrait at the Age of 63 is a self-portrait by the Dutch artist Rembrandt. His sagging blemished face is carefully rendered with many layers of translucent paint, but his robe and the background remains shadowy and the hands are indistinct. License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library. https://joyofmuseums.com/.../self-portrait-at-the-age-of-63-by-rembrandt The work shown here is from the last year of Rembrandt's life. ★ Image resolution: 3417×4226 px. Despite the closeness of his death, and the concentration on his aging face, Rembrandt makes an impression of a self-assured and confident artist. About 80 survive from his 40-year career, far more than any other artist of his time. By contrast, the dark, shadowy background is thinly painted, the texture of his robe and fur collar sketchy and his folded hands are blurred and indistinct. This is one of a pair of portraits of a husband and wife, one of the richest couples in the Netherlands. The source of the light is hidden, so it seems to radiate directly from the sleeping child, illuminating the faces of all around him.The scene represents the... A Woman bathing in a Stream (Hendrickje Stoffels? Self Portrait at the Age of 63, 1669. Some of Rembrandt’s most powerful paintings are of men and women immersed in thought, depicted with bold brushwork and dramatic, shadowy light effects. Portrait of the Artist's Mother at the Age of 63 (German: Bildnis der Mutter mit 63 Jahren) is a charcoal drawing from March 1514 by the German printmaker and painter Albrecht Dürer, now in the Kupferstichkabinett, Berlin.It is a tender but unflinching study of his mother, Barbara Holper (c. 1451–1514), completed while she was gravely ill, two months before she died. X-ray analysis has shown two pentimenti (changes to the composition by the artist): the beret was originally larger and white in colour, and the hands originally had a different position, holding a paintbrush and maulstick. Self-Portrait at the Age of 63 is a self-portrait by the Dutch artist Rembrandt, now in the National Gallery, London. Self Portrait at the Age of 63 by Rembrandt van Rijn is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. English: Rembrandt, Self Portrait at the Age of 63.National Gallery. Rembrandt’s Self-Portrait at the Age of 63, 1669. Self Portrait at the Age of 63. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. X-ray images show that Rembrandt did, at first, depict himself as an artist at work – hands open, holding what seems to be a brush. The optical illusion created by this painting is a powerful one. May 1, 2011 - Self Portrait at the Age of 63 Giclee Print by Rembrandt van Rijn. And Rembrandt’s motives may have been rather more straightforward, driven less by soul-searching and more by a professional fascination with the textures, flaws and subtleties of the human flesh. Self-Portrait at the Age of 63 is a self-portrait by the Dutch artist Rembrandt, now in the National Gallery, London. Self Portrait at the Age of 63 Rembrandt van Rijn (1606–1669) The National Gallery, London Back to image. THERE ARE SOME 80 SELF-PORTRAITS OF REMBRANDT, NOT ALL PAINTED BY HIMSELF. Despite the closeness of his death, Rembrandt makes an … Rembrandt depicts himself in deep red coat with fur collar and beret, looking out at the viewer with his hands clasped. Photograph: The National Gallery, London Painted in 1669, the year he died, Rembrandt’s Self Portrait At The Age of 63 … biography; Every canvas print is hand-crafted in the USA, made on-demand at iCanvas and expertly stretched … 1669 86 x 70.5 cm. This is one of a pair of portraits of a husband and wife, one of the richest couples in the Netherlands. Artist: Rembrandt van Rhijn (1606-1669) Self Portrait at the Age of 63, 1669. The light falls onto an old man. Download a low-resolution copy of this image for personal use. NG221. Self Portrait at the Age of 63 Rembrandt. Help keep us free by making a donation today. ), Portrait of Margaretha de Geer, Wife of Jacob Trip, Saskia van Uylenburgh in Arcadian Costume, A Man seated reading at a Table in a Lofty Room, Research, private study, or for internal circulation within an educational organisation (such as a school, college or university), Non-profit publications, personal websites, blogs, and social media. Some self portraits, especially the earlier ones, were made to practise depicting different expressions and poses, or to experiment with lighting effects. He died on 4 October 1669 and was buried in the Westerkerk in Amsterdam. Self Portrait at the Age of 63: Artist: Rembrandt: Artist dates: 1606 - 1669: Date made: 1669: Medium and support: Oil on canvas: Dimensions: 86 x 70.5 cm: Inscription summary: Signed; Dated: Acquisition credit: Bought, 1851: Inventory number: NG221: Location: Room 22: Art route(s) B: Collection: Main Collection Rembrandt, Self Portrait at the Age of 63. That mysterious look in his eye may not be one of existential angst, but that of a painter deeply engaged in the challenges of his art. The Roman goddess Diana threatened death to any man who saw her bathing. Despite the closeness of his death, and the concentration on his aging face, Rembrandt makes an impression of a self-assured and confident artist. Rembrandt’s Self-Portrait at the Age of 63, 1669, National Gallery Essay Sample. The paint here is different. This may be a portrait of an individual friar, or perhaps a t... Rembrandt’s painting, unique for him in its tender intimacy, shows a young woman almost up to her knees in a stream. It has been perfectly recreated brushstroke by brushstroke by our talented artist. Jacob Trip, who made much of his money as an arms dealer, had been married to Margaretha de Geer for nearly 60 years. In this one, Rembrandt is preoccupied with depicting the textures and colours of his own ageing face. The effect seems to be one of intense self-scrutiny, and many later writers and artists have regarded this, together with his other late self portraits, as part of a process of self examination – Rembrandt coming to terms with the approach of death, searching with unflinching honesty to know himself. The man in the gold cloak, enormous turban and tiny crown is Belshazzar, King of Babylon. The exact number of self-portraits made by Rembrandt is still a matter of heated dispute among scholars. Slumped sideways across a chair, one hand gripping the wooden arm and the other resting lightly on his temple, this elderly man is in just such a... Margaretha de Geer was married to Jacob Trip – an extremely wealthy merchant and arms dealer – for nearly 60 years. By contrast his opponent is focused intently – perhaps even short-sightedly – on her hand, deliberating on how to play next. Self Portrait at the Age of 63, 1669 van Rijn Rembrandt (1606-1669) Location: National Gallery London United Kingdom Original Size: 86 x 70.5 cm One of three dating to 1669, it was one of the last in his series of around 80 self-portraits, painted in the months before his death in October 1669. 3. Get premium, high resolution news photos at Getty Images Not on display We Offer High Quality Custom Framing. Found in the collection of the National Gallery, London. [1] Rembrandt employed his usual rather limited palette of lead white, ochres and red lakes.[2]. This painting of a grey-haired man apparently lost in thought is not intended to be a portrait of a real person, but is an example of a tronie. Rembrandt laboured over this small monochrome picture. This image is licensed for non-commercial use under a Creative Commons agreement. Using these to serve food at a f... ‘Ecce Homo’, the Latin title of this painting, is taken from the Bible, and means ‘Behold the man!’ These were the words of Pontius Pilate, the Roman governor of Judea, when he was sitting as the judge during the trial of Christ. It was bought by the National Gallery, London in 1851. A damaged signature and date were revealed when the painting was cleaned in 1967, and it is believe that the work has been cut down on all four sides. Hand-painted oil painting reproduction of Self Portrait at the Age of 63 by Rembrandt Van Rijn - museum quality oil painting on artist grade canvas. van Rijn (1606-69); 86x70.5 cm; National Gallery, London, UK; Dutch, out of copyright. To understand why Rembrandt made the painting was investigated by the National Gallery Picture Library old... The Roman goddess Diana threatened death to any man who saw her bathing of his own ageing face she 23! 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