The Virgin and Child are shown seated in a small Gothic chapel or oratory projecting from a wall and opening onto a lawn. 61. It is known to have been in the possession of the Sainte-Chapelle by the late 1270s, as it was recorded in the earliest inventory of the church, written some time between 1265 and 1279. (previous page) 1290 Muttergottes Madonna and Child Bodemuseum anagoria.JPG 2,091 × 4,752; 5.16 MB. (40.5 x 17 x 11.5 cm) Nino Pisano ... Gothic Sculpture in America. 1300 Hl. The sculpture must have gained great popularity almost immediately, as several imitations can be found from the period following its creation. Ely. This beautiful statue of the Virgin and Child is a particularly fine example and compares with Gothic sculpture made in the Lorraine region of France in the 14th century. 12:1–5), clothed in the sun with the moon at her feet and whose infant son is taken up to God. New York, NY: International Center of Medieval Art, 1989. The statue, forty-one cm high, represents the pinnacle of Gothic art, and the late medieval ideal of beauty. The lily she holds stands for her purity. Though Virgin and Child was originally a full-length statue, only the upper half now survives. The ivory workshops of Paris were the most admired ones, and the Virgin and Child must have originated from one of these. 7–29. Copyright © 2021 Detroit Institute of Arts. Historical significance: The Seated Virgin seems to represent a transitional point between the first High Gothic Virgins of the third quarter of the thirteenth century and the later group, which testifies to the longevity of the basic type of Virgin and Child between 1260 and 1340. Get ready for your Virgin And Child tests by reviewing key facts, theories, examples, synonyms and definitions with study sets created by students like you. [1] It is believed to have been given to the chapel by its patron, Saint Louis. Virgin seats on a throne with round, Romanesque arches. At the bottom possibly initials engraved and written in pencil: 590,- (see photo). The glass was cut. Art in America 11, 4 (1923): pp. Here the Madonna holds an energetic child, who interacts with the viewer rather than with his mother. The workshop of Michel Erhart was one of the most successful in Ulm, a prolific center of wood sculpture during the late Gothic period. ... Gothic Art 1360-1440. Art Institute of Chicago, Art Institute of Chicago Annual Report 1971–72 (Chicago, 1973), p. 44, inside front cover (ill.). The results, stemming from seminal innovations introduced by masters such as Giovanni … On her left arm she is resting the baby Jesus, who in turn reaches out his left hand to an apple the Virgin holds up in her right hand. The original source of this Virgin and Child is unknown, but its style suggests a relationship with similar sculptures made for churches and abbeys of the Central Loire Valley. The Virgin Mary is portrayed as a young and slender woman; in appearance representative of the aristocracy of the age. Of note are similar statues in the Taft Museum in Cincinnati, Ohio (formerly in the treasury of Saint-Denis), the Rijksmuseum in Amsterdam, the Metropolitan Museum in New York and in the museum of Orléans. Currently, this sculpture is on display within the Louvre in France. A wooden figure of the Virgin Mary and Child seated above a symbolic crescent moon, c.1510, attributed to Niklaus Weckmann the Elder; the Christ Child embraces the Holy Spirit in the form of a dove. linden wood with traces of polychromy and gesso. The crescent moon beneath the Virgin’s feet is an allusion to the Apocalyptic Woman (Rev. This monumental yet intimate image of the Virgin and Child was probably a gift of pp. ... Virgin and Child, Notre-Dame, Paris, early 14th century. The ivory Virgin and Child statue from Sainte-Chapelle This imposing life-size Virgin, originally polychromed and gilded, would have been the central figure in a large altarpiece. From the so-called Black Virgin, probably from the 19th century. Please see the photos. Museum HoursMON - TUE: Closed;  WED - FRI: 9 a.m. - 4 p.m.;  SAT - SUN: 10 a.m. - 5 p.m. See what exhibitions are on view and browse our collection of art. The painting pays very close attention to small realistic detail; for example, there are four small holes above each arch, likely to hold scaffolding. Her hip is slightly protruded – giving the figure an S-shape. She holds a child on her laps and serves as a throne for the child. Her robe, with a belt, is almost entirely covered by a coat, all of which is finely decorated with gold. 1170 . The museum itself describes it as "unquestionably the most beautiful piece of ronde-bosse [in the round] ivory carving ever made",[1] and the finest individual work of art in the wave of ivory sculpture coming out of Paris in the 13th and 14th centuries. The sculpture, intended for an enclosed chapel or perhaps a convent, combines the graceful veil that enframes Mary's beaming face with the infant's charming … At this time there was a new emphasis on elegance in art, paralleled by a new emphasis on the humanity of Christ and the Virgin Mary. Virgin and Child from the Sainte-Chapelle is an ivory sculpture produced during 1260 and 1270. Virgin and Child was created in Auvergne region, France in the late 12th century. [2] Alexandre Lenoir was the one who salvaged the piece from the collection of the church during the Revolution, and exhibited it in his Musée national des Monuments Français. T. Demmler, "German Gothic Sculptures in the Ralph N. [sic] Booth Collection, Detroit," trans. Late 19th century Historicism - Neo Gothic. Charles V added a gold plinth and emerald-encrusted ornamentation sometime in the 14th century, but this was removed during the Revolution. The additional influence of the style of the sculptor André Beauneveu has also been noted for this sculpture. Dimensions: 23.6 x 7 x 6.7 cm. All rights reserved. Its present location is against the southwestern columnin the sanctuary of the church. Sculpture. Gaborit-Chopin, Danielle. The Medieval Setting of Enthroned Virgin and Child Despite being one of the few extant Burgundian Romanesque sculptures, the provenance of Enthroned Virgin and Child is uncertain and is … Her narrow, triangular face is surrounded by curly hair and a veil, her eyes are long and narrow, and a slight, playful smile is upon her lips. We're more than a museum. Later it was in the possession of the wealthy Far-Eastern merchant, Louis Fidel Debruge-Dumenil, and when it was acquired by the Louvre in 1861, this was from the collection of Prince Pierre Soltykoff.[2]. Here, in this example, we see Mary as the Queen of Heaven with the Christ Child and angels. The workshop of Michel Erhart was one of the most successful in Ulm, a prolific center of wood The Virgin and Child from the Sainte-Chapelle is an ivory sculpture probably created in the 1260s, currently in the possession of the Louvre Museum in Paris. Weight: 171 grams. The artwork conveys the religious theme depicting Mary and the child, Jesus Christ, on her laps. In good condition. This finely carved Virgin and Child attests to the advance of the arts – and of sculpture in particular – towards more delicate and ornamental early phases of Tuscan Gothic. This sculpture is unquestionably the most beautiful piece of ronde … The Virgin wears a crown and probably once held a scepter in her right hand, characterizing her as Queen of Heaven. Virgin and Child Ivory Carving (1280) Gothic sculpture at its finest. Ivory statue of the Virgin an Child from Sainte Chapelle, third quarter of … The folds of the cloth are intricately and realistically sculpted towards the bottom. Gothic Sculpture : Central doorway of the south transept of Chartres Cathedral, c. 1220-1230. Learn about reopening procedures and reserve your timed entry using the TICKETS button at this link. Winged Altarpiece with the Virgin and Child and Saints (Bode-Museum)‎ (1 F) Z Zamser Retabel‎ (3 F) Media in category "Gothic sculpture in the Bode-Museum" The following 200 files are in this category, out of 240 total. The sweetness of expression of both mother and child makes the sculpture extremely vivid and appealing to the viewer. C.B. The glass was painted and then fired to an enamel Join, give or volunteer to support your DIA. This figure stands at 68 cm tall and is made from gilded silver, stones, pearls, and the earliest dated French translucent enamels. Because the figures' heads are angled downward, scholars believe that Riccio made the sculpture as the devotional centerpiece of a raised altar. The Sainte-Chapelle Ivory Virgin & Child In the second half of the thirteenth century, French Gothic sculpture underwent a major shift in style. Considered the most beautiful ivory sculpture ever made, the statue is a masterclass in medieval artistry, demonstrating supreme skill and talent for the age (though the artist remains anonymous). 5 ill.). Remnants of dark stain and/or polychromy. Polychrome wood sculpture of the Black Virgin, from the 19th century, Mother of Christ, "The Black Virgin" is venerated throughout Europe, everywhere. Wood. Virgin and Child 1350/75 South Netherlandish or German (Rhineland) This ivory statuette with its gangly Christ Child and rather plain-faced Virgin seems far removed from the aristocratic figures produced in Paris, which was a great center for the production of Gothic ivories. Will be carefully packaged and sent by registered mail with track and trace. Follow us on Facebook (opens in new window), Follow us on Twitter (opens in new window), Follow us on Instagram (opens in new window), Follow us on Youtube (opens in new window), Follow us on Snapchat (opens in new window), Overall: 64 × 17 1/2 × 13 inches (162.6 × 44.5 × 33 cm), European: Medieval and Renaissance W240, Level 2, Virgin and Child on the Crescent Moon (alternate title). Mary with Christ child. 1330 15 15/16 x 6 11/16 x 4 1/2 in. Germany. Flawless. Charles T. Little, “Ivoires et art gothique,” Revue de l’art 46 (1979). Discover tools and resources for K-12 teachers and their students. Make the DIA your classroom. POLYCHROME WOOD VIRGIN AND CHILD ORIGIN : SOUTHERN GERMANY PERIOD : LATE 15th CENTURY Height : 68 cm Limewood Traces of polychromy REQUEST FOR INFORMATION Back to sculpture Galerie Gabrielle Laroche Spécialiste de la sculpture du Moyen Age … The scene is constructed from colored glass sheets created as follows: The design was laid out on a wood panel. 164-70 ( fig. On her left arm she is resting the baby Jesus, who in turn reaches out his left hand to an apple the Virgin holds up in her right hand. In Italian Panel Painting of the Duecento and Trecento . Studies in the History of Art, Vol. [2], Virgin and Child from the Sainte-Chapelle, http://www.louvre.fr/oeuvre-notices/vierge-l-enfant-de-la-sainte-chapelle, https://en.wikipedia.org/w/index.php?title=Virgin_and_Child_from_the_Sainte-Chapelle&oldid=1011692690, Sculptures of the Louvre by French artists, Creative Commons Attribution-ShareAlike License. Her robe, with a belt, is almost entirely covered by a coat, all of which is finely decorated with gold… Produced sometime between 1260 and 1270, the Virgin and Child is an ivory sculpture which stood in Paris’ exquisite Saint-Chapelle for centuries. "La Vierge à l'Enfant d'ivoire de la Sainte-Chapelle", This page was last edited on 12 March 2021, at 08:31. The first such ivory figurines of the Virgin and Child appeared around 1225 and were inspired by the monumental stone sculpture on the portals of Gothic cathedrals. Virgin and Child and Angels, Chartres Cathedral, Chartres, France, ca. The Virgin of Jeanne d'Evreux, is a Gothic sculpture created sometime between the years 1324 and 1339. With the Christ Child seated on her lap, she is also the "Throne of Wisdom". Virgin and Child ca. [2], After a relative shortage of ivory in Europe during the 11th and 12th centuries, the material once again became in abundance with new trade opening up on the Atlantic ports, particularly those of Normandy. "Icon to Altarpiece in the Frankish East: Images of the Virgin and Child Enthroned." 59, 66. Discover what’s happening at your DIA. Extraordinary polychrome wood sculpture, layer of preparation of gold leaf. The statue, forty-one cm high, represents the pinnacle of Gothic art, and the late medieval ideal of beauty. Furthermore, the moon seen as a symbol of inconstancy here is vanquished beneath the feet of the Virgin. William H. Monroe, “A French Gothic Ivory of the Virgin and Child,” Art Institute of Chicago Museum Studies 9 (1978), pp. Her hip is slightly protruded – giving the figure an S-shape. The swaying curve of the body of the Virgin, animated by deeply carved rhythmic folds, gives to this sculpture a sense of lyricism and weightiness characteristic of later Gothic sculpture in Northern Europe. One of the earliest strictly Western Madonna types is a standing Gothic Madonna, a lyrical image of the smiling Virgin and playful Child, which was modeled on the Byzantine hodēgētria and found its finest expression in sculpture in the 13th century. Easy to use and portable, study sets in Virgin And Child are great for studying in the way that works for you, at the time that works for you. The piece itself was donated to the abbey of Saint-Denis by Jeanne d'Evreux in 1339 as inscribed in the pedestal. Now largely stripped of color, Virgin and Child was once vibrantly painted. This piece contains a number of symbolic details: The crown identifies the Virgin as the Queen of Heaven. The tympanum and lintels illustrate the Last Judgment. The sculpture shown is the Virgin and Child, commonly known as the Virgin of Paris, carved in the 14thcentury for the Chapelle Saint-Aignan in the Canons’ Cloister on the Île de la Cité, Paris. The Virgin Mary is portrayed as a young and slender woman; in appearance representative of the aristocracy of the age.